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edward.maurath
HWV7A1N26 "Cor ingrato, ti rammembri" (c minor)
edward.maurath
2:01 Est. Play
Time
26 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 7 7 97%
Bass 24 25 7 6 100%
Violoncello Bass 24 0 7 6 100%
Rinaldo 14 0 4 8 92%
 
HWV19A1N11 - Bertarido, "Dove sei? Amato bene!"
edward.maurath
3:55 Est. Play
Time
56 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 23 74 5 7 100%
Bass 17 19 2 4 100%
Violoncello Continuo Bass 16 0 2 4 100%
Bertarido Treble 13 0 2 6 76%
Vln
1		 Treble 14 0 0 7 57%
Contrabass Continuo Bass 11 0 0 4 53%
Viola 10 0 0 4 47%
Vln
2		 Treble 11 0 0 5 47%
 
HWV8A1N3b - "Ah! Infelice mia patria" Accompagnato for soprano as Amarilli (November 1734)
edward.maurath
1:32 Est. Play
Time
21 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 19 27 7 4 100%
Bass 17 13 7 3 100%
Amarilli Treble 14 0 5 3 100%
Contrabasses Bass 11 0 4 3 100%
Violas 9 0 2 4 100%
Violins
1		 Treble 12 0 4 3 100%
Violins
2		 Treble 11 0 4 3 100%
Violoncello Bass 11 0 4 3 100%
Violoncellos Bass 11 0 4 3 100%
 
HWV61A2N46 - Regard, O son, my flowing tears
edward.maurath
6:48 Est. Play
Time
41 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 22 58 7 7 99%
Bass 33 57 13 8 99%
Cello Bass 23 0 7 10 98%
NITOCRIS 16 0 6 9 76%
Violin Treble 23 2 9 9 71%
Violoncellos Bass 17 0 5 9 69%
Violone Bass 17 0 5 9 69%
 
HWV61A3N57 - To Power Immortal
edward.maurath
1:40 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsi Treble 14 39 4 5 100%
Bass 17 48 5 5 100%
Strings Treble 23 70 8 6 100%
Violoncello Bass 14 0 2 5 100%
Violone Bass 12 0 2 5 100%
GOBRIAS Bass 14 0 4 6 93%
 
HWV5A2N8 Baldanzosa pietà, quanto contrasto (Rodrigo)
edward.maurath
1:02 Est. Play
Time
14 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo (Continuo) Treble 16 19 6 3 100%
Bass 18 16 4 2 93%
Florinda 10 0 1 3 100%
Violoncello (Continuo) Bass 9 0 2 3 100%
 
HWV63A1N2 - "Mourn, ye afflicted children" in c minor
edward.maurath
5:08 Est. Play
Time
47 Measures
1,196Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
View all 14 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 20 7 6 5 94%
Bass 25 11 8 7 100%
Contrabasses Bass 22 0 8 7 100%
Violas 21 0 7 6 100%
Violoncellos Bass 25 0 8 7 100%
Vln
1		 Treble 25 0 9 6 100%
Vln
2		 Treble 27 0 10 6 100%
Alto 15 0 5 4 87%
Tenor 15 0 5 4 87%
Bass Bass 22 0 11 4 85%
Soprano 19 0 9 5 85%
Oboe Treble 19 0 7 6 74%
Treble 19 0 7 6 74%
Bassoon Bass 23 0 8 5 74%
 
HWV7A2N8b - "Mio cor, che mi sai dir?" (b minor)
edward.maurath
4:43 Est. Play
Time
51 Measures
1,285Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 23 0 8 4 99%
Contrabassi (Continuo) Bass 22 0 7 4 97%
Violoncelli (Continuo) Bass 21 0 7 4 97%
Cemballo
(Continuo)		 Treble 26 37 9 5 90%
Bass 33 23 12 6 96%
Violins I



 Treble 22 0 6 4 95%
Violins II



 Treble 21 0 5 4 91%
Tenor
as Goffredo		 14 0 5 6 60%
Bassoon
(Cembalo)		 Bass 18 0 4 4 47%
Oboe Treble 18 0 5 4 47%
 
HWV19A1N0 - Hò perduto il caro sposo
edward.maurath
3:45 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
Cembalo Continuo Treble 17 38 7 6 95%
Bass 22 11 5 6 99%
Violoncello Continuo Bass 19 0 5 6 99%
Violini
1		 Treble 19 0 5 7 85%
Contebass Continuo Bass 17 0 5 6 84%
Viola 16 0 5 6 84%
Violini
2		 Treble 15 0 3 7 84%
Soprano
as Rodelinda		 Treble 17 0 7 8 72%
 
HWV5A3N21 - "Signore, poich'è lo sdegno"
edward.maurath
1:15 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello (Continuo) Bass 13 0 3 3 100%
Organo (Continuo) Treble 16 19 4 2 52%
Bass 16 11 6 4 52%
Florinda 11 0 0 4 52%
Cembalo (Continuo) Treble 9 10 0 3 48%
Bass 12 10 1 4 50%
Evaneo 9 0 2 4 48%
 
HWV61A1N7 - Well may they laugh!
edward.maurath
0:58 Est. Play
Time
15 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
HSC
LH		 Bass 15 15 3 1 93%
HSC
RH		 Treble 12 16 4 1 93%
ORG
LH		 Bass 11 6 3 2 93%
ORG
RH		 Treble 12 16 4 2 93%
Vcl Bass 8 0 2 2 93%
VNE Bass 8 0 2 2 93%
GOBRIAS Bass 9 0 0 3 47%
CYRUS
S		 9 0 3 4 40%
 
HWV7A2N0b "Siam prossimi al porto" (1731)
edward.maurath
2:15 Est. Play
Time
63 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 27 58 6 8 99%
Bass 23 23 6 7 100%
Violoncello Bass 22 0 6 7 100%
Goffredo 14 0 4 7 57%
Violins Treble 12 0 2 6 41%
Kontrebaß Bass 15 0 1 5 40%
Violoncellos Bass 15 0 1 5 40%
 
HWV1A2N16vEJM, "No, no, non voglio" (Almira)
edward.maurath
1:41 Est. Play
Time
27 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 17 36 5 4 100%
Bass 24 29 7 4 100%
Harpsichord Treble 17 36 5 4 98%
Bass 24 29 7 4 100%
Violoncello Bass 20 0 6 4 100%
Almira 14 0 6 4 88%
 
HWV19A1N0 - Hò perduto il caro sposo
edward.maurath
6:39 Est. Play
Time
75 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Organo Continuo Treble 18 43 7 7 100%
Bass 19 0 5 6 99%
Cembalo Continuo Treble 17 38 7 6 94%
Bass 22 11 5 6 99%
Violoncello Continuo Bass 19 0 5 6 99%
Violini
1		 Treble 19 0 5 7 85%
Contebass Continuo Bass 17 0 5 6 83%
Viola 16 0 5 6 83%
Violini
2		 Treble 15 0 3 7 83%
Soprano
as Rodelinda		 Treble 17 0 7 8 68%
 
HWV5A1N24 Cara Sposa, amante cara, dove sei?
edward.maurath
12:13 Est. Play
Time
93 Measures
1,084Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
II		 Treble 21 0 6 6 98%
Violin
I		 Treble 21 0 5 6 96%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violin
II		 Treble 21 0 6 6 98%
Violin
I		 Treble 21 0 5 6 96%
Viola 18 0 4 5 95%
Cembalo Continuo Treble 25 63 8 6 64%
Bass 26 57 6 6 75%
Cello Bass 22 0 5 6 73%
Rinaldo 16 0 6 5 73%
Double
Bass Continuo		 Bass 22 0 5 6 72%
 
HWV26A2 - Non t'inganni la speranza che la ferma tua costanza - in F Major
edward.maurath
2:40 Est. Play
Time
134 Measures
1,102Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 17 17 2 4 94%
Bass 19 20 3 4 100%
Double
Bass Continuo		 Bass 16 0 2 4 94%
Violin
1		 Treble 20 0 2 5 94%
Violincello Continuo Bass 17 0 2 4 94%
Viola 17 0 2 5 93%
Violin
2		 Treble 18 0 3 5 93%
Bassoon Continuo Bass 17 0 2 4 89%
Bass
as Clodomiro		 Bass 16 0 3 5 65%
Oboe Treble 12 0 0 5 29%
 
HWV26A2N10 - Alto Aria for Matilde "Arma lo sguardo"
edward.maurath
5:55 Est. Play
Time
64 Measures
1,233Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
View all 6 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 30 138 11 7 95%
Bass 25 28 6 4 98%
Violoncello Continuo Bass 23 0 6 4 98%
Violini Treble 25 0 8 7 96%
Contrabasso Continuo Bass 21 0 6 4 85%
Maltilde 20 0 7 7 76%
 
HWV26A3N11 - Alza il Ciel pianta orgogliosa - d minor
edward.maurath
5:31 Est. Play
Time
100 Measures
1,239Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 8 6 90%
Bass 27 40 9 6 99%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harpsichord Treble 22 35 8 6 90%
Bass 27 40 9 6 99%
Bassoon Continuo Bass 26 0 8 6 99%
Violin Treble 31 0 12 6 68%
Violoncello Continuo Bass 23 0 7 5 68%
Violone Bass 23 0 7 5 68%
Bass
as Clodomiro		 Bass 17 0 5 8 63%
Oboe Treble 24 0 7 5 41%
 
WQ40 - iphignie en aulide (Gluck)
edward.maurath
8:14:19 Est. Play
Time
4517 Measures
57,351Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 609 29 13 97%
Bass 58 373 40 11 96%
View all 26 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 37 609 29 13 97%
Bass 58 373 40 11 96%
Iphigénie Treble 21 0 15 11 18%
Achille Treble 19 0 11 9 18%
Soprano Treble 20 0 7 9 16%
Alto Treble 19 0 6 9 15%
Clytemnestre Treble 20 0 13 8 15%
Ténor Treble 11 0 4 4 0%
Treble 6 0 0 4 0%
Treble 18 0 10 9 15%
Basse Bass 13 0 3 4 0%
Bass 19 0 9 9 15%
Bass 15 0 2 7 1%
Agamemnon Bass 20 0 12 8 13%
Calchas Bass 20 2 10 8 2%
Patrocle Bass 14 0 4 6 1%
1ʳᵉ
Grecque		 Treble 16 0 4 6 1%
Arcas Bass 11 0 4 5 1%
Diane Treble 16 0 6 7 1%
Grec Treble 8 0 1 5 0%
Ténor
1		 Treble 8 0 1 6 0%
Ténor
2		 Treble 9 0 1 6 0%
2ᵉ
Grecque		 Treble 11 0 1 5 0%
3ᵉ
Grecque		 Treble 10 0 2 5 0%
Femme
de
la
suite
d’Iphigénie		 Treble 10 0 0 5 0%
Esclave
Lesbienne		 Treble 7 0 0 3 0%